a community for the six of crows duology

What I finished:

+ More than Words: How to Think About Writing in the Age of AI by John Warner, which I LOVED. When I say I recommend this book to everyone, I mean that I am following you around your house or place of employment with the book in my hand trying to push it into yours. That kind of recommendation.

This book just bursts with humanity, which is the highest compliment I can give a book. I love all the different things it's doing, weaving lots of strands together while still being fairly short, incredibly clear, and very readable.

The premise is, "People are saying that AI has killed the English class essay. How should we react to that?"

Warner's answer, "Good riddance to the English class essay!" (He has written an entire book about how terrible the 5-paragraph essay is that I can't wait to read.)

He starts with the question: "What is writing for?" To communicate, obviously, but that's not all. Writing is a way of thinking and feeling, and he talks about how important experience and context is to writing. He's very clear about how what AI does is not writing in the way that humans do and he's pretty forceful about how we need to stop anthropomorphizing a computer program that is incapable of anything like intention. He discusses what AI does and what it doesn't do, asking, "What are the problems it's trying to solve? Which of those problems is it capable of solving? Which can it definitely not solve?"

And he also asks, "Why do we teach writing to students? What do we want them to learn? And are our assignments actually teaching them that?" Warner, a long-time writing teacher and McSweeney's-adjacent dude, hates the way writing is taught and he's very persuasive in convincing you that we're going about it all wrong, teaching to the test, prizing an output over process, when the process is every bit as important as the output. He has lots of ideas about how to teach better that made me want to start teaching a writing class immediately (I should not do that, I would not be good at it, but he's so good at it that it energized me!) and I am convinced that if we followed his guidelines, the world would be a better place.

He also talks about the history of automated teachers and why they don't work and spends several chapters giving us ideas to approach AI with. He's like, "Look, if I try to speak to specific technologies, by the time this book is published, it'll all be obsolete and I'll look silly. So instead I'm going to give us a few lenses through which to look at AI that I think will be helpful as we make choices about how to implement it into society." He is a fierce opponent of the shoulder-shrugging inevitability approach; he wants us--and by us, he means all of us, not just tech bros--to have real and substantive discussions about how we are and aren't going to use this technology.

He's not an absolutist in any way; he thinks that LLM can be useful for some kinds of research and that other, more specific forms of AI could be really useful in contexts like coding and medicine. I agree! It's mostly LLMs that I'm skeptical of. He's very fair to the pro-AI side, steelmanning their arguments in ways that the hype mostly doesn't bother to do. (Most of the people hyping AI are selling it, after all.)

Throughout, he insists on embracing our humanity in all its messiness, and I love him for that. Basically this book is a shout of defiance and joy.

Here's some quotes I can't not share!

"Rather than seeing ChatGPT as a threat that will destroy things of value, we should be viewing it as an opportunity to reconsider exactly what we value and why we value those things. No one was stunned by the interpretive insights of the ChatGPT-produced text because there were none. People were freaking out over B-level (or worse) student work because the bar we've been using to judge student writing is attached to the wrong values."




"The promise of generative AI is to turn text production into a commodity, something anyone can do by accessing the proper tool, with only minimal specialized knowledge of how to use those tools required.. Some believe that this makes generative AI a democratizing force, providing access to producing work of value to those who otherwise couldn't do it. But segregating people by those who are allowed and empowered to engage with a genuine process of writing from those who outsource it AI is hardly democratic. It mistakes product for process.

"It is frankly bizarre to me that many people find the outsourcing of their own humanity to AI attractive. It is asking to promising to automate our most intimate and meaningful experiences, like outsourcing the love you have for your family because going through the hassle of the times your loved ones try your spirit isn't worth the effort. But I wonder if I'm in the minority."



"What ChatGPT and other large language models are doing is not writing and shouldn't be considered such.

"Writing is thinking. Writing involves both the expression and exploration of an idea, meaning that even as we're trying to capture the idea on the page, the idea may change based on our attempts to capture it. Removing thinking from writing renders an act not writing.

"Writing is also feeling, a way for us to be invested and involved not only in our own lives but the lives of others and the world around us.

"Reading and writing are inextricable, and outsourcing our reading to AI is essentially a choice to give up on being human.

If ChaptGPT can produce an acceptable example of something, that thing is not worth doing by humans and quite probably isn't worth doing at all.

"Deep down, I believe that ChatGPT by itself cannot kill anything worth preserving. My concern is that out of convenience, or expedience, or through carelessness, we may allow these meaningful things to be lost or reduced to the province of a select few rather than being accessible to all."




"The economic style of reasoning crowds out other considerations--namely, moral ones. It privileges the speed and efficiency with which an output is produced over the process that led to that output. But for we humans, process matters. Our lives are experienced in a world of process, not outputs."

et cetera

As I said on GoodReads, this should be required reading for anyone living through the 21st century.


+ I've also started a Narnia reread for the first time since I was a kid. I have now read the first two and I had opposite experiences with them: I remembered almost everything from The Lion, the Witch, and the Wardrobe and almost nothing from Prince Caspian. This is no doubt the result of a combination of a) having reread one way more than the other as a child and b) one being much more memorable than the other.

There were a few tiny details that I hadn't remembered from TLtWatW, like the fact that Jadis is half-giant, half-jinn or that it's textual that the Turkish Delight is magicked so that anyone who eats it craves more. But everything else was very clear in my mind: the big empty house, the lantern in the woods, Mr. Tumnus, the witch in her sleigh, the conflict over whether Lucy is telling the truth, the Beavers, Father Christmas, the statues, Aslan and the stone table, the mice and the ropes, waking the statues, etc. This book is so chock-full of vivid images and delightful details that truly it's no surprise that it's a classic. Jack, your imagination! Thank you for sharing it with us!

PC, on the other hand, is much less memorable, imo. Truly the only thing I remembered going in was the beginning where the kids go from the railway platform to Cair Paravel and slowly figure out where they are. That is still a very strong sequence! Oh, and Reepicheep! Reepicheep is always memorable! But there aren't nearly as many really good images in this one as in the first one.

That said, there were a few that came back to me as I read: Dr. Cornelius telling Caspian about Narnia up at the top of the tower, the werewolf (it's "I am death" speech is SUPER chilling), everybody dancing through Narnia making the bad people flee and having the good people join. And Birnam Wood the trees on the move! Tolkien must have loved that bit! I'd forgotten that Lewis did it too!

It seems really important to Lewis that there be frolicking and dancing and music as part of joy, and I love that. Both books include extended scenes where the girls and Aslan and various magical creatures are frolicking. There's also a very fun bit where Lewis describes in great detail the different kinds of dirt that the dryads eat which adds nothing to the story but is so weird and fun that you don't mind. He clearly had a blast writing that sequence.

But still, this book just isn't nearly as compelling as the first one, imo. It's fine! I don't dislike it! But it doesn't fill me with warm fuzzies the way the first book does.

Both of the books are told in a style that is very storyteller and not novelist. The narrative voice is absolutely that of an adult telling a child a bedtime story, which is charming and also absolutely the reason so many people have so many formative memories of being read these books aloud. They lend themselves to that so well!

But of course the down side is that there's very little real characterization. On the whole, this is fine, because that's not the point. But it does make me appreciate writers who can do both even more. There is character conflict (should we believe Lucy? Edmund's whole arc; etc.) but the characters are very loosely sketched. What do I know about Caspian except that he thinks Old Narnia is super cool? Not much! Frankly, the dwarves in book 2 are, besides Reepicheep, the strongest characters.

I actually think the Aslan dying for Edmund bit is not as heavy-handed as it could have been as an allegory. Like, yes, it's very much matches up the Passion story, but the idea of a character dying in another's stead is universal enough that I can see how those who weren't familiar with the New Testament just totally accepted it and didn't find it confusing.

I found the sequence in PC where Lucy is the only one to see Aslan much more heavy-handed in a "you must be willing to follow Jesus even if no one else will go with you" kind of way. There were a few lines that made me say, "Really, Jack? You could have dialed that down a notch." I do super like that Edmund was first to see him after Lucy though!

So yeah, I look forward to seeing how I feel about the coming books. I remember the most of Dawn Treader and am looking forward to Silver Chair more than the others. The only one I'm dreading is Last Battle, for obvious reasons.

What I'm currently reading:

+ Voyage of the Dawn Treader! The painting of the shiiiiiiiip.

I'm having a thought and I need to write it out to see whether I agree with myself.

I'm reading More Than Words: How To Think About Writing in the Age of AI by John Warner, which is excellent (review to come on Wednesday) and a certain chapter combined with a topic that's been on my mind lately, creating a realization that is shaking me.

A thing I keep coming back to again and again lately is that the determining aspect of the current administration is their definition of strength, which seems to be standing alone. Being totally independent. You see this in Trump, et al.'s foreign policy, in which the end goal seems to be to completely alienate all other nations of the world. This is obviously a profoundly stupid idea because it's self-defeating. But it makes sense if you believe that any dependence whatsoever on another is weakness. This is why they hate the idea of a give-and-take, we-both-benefit arrangement, even though that is objectively the best way for human individuals, societies, and nations to operate. They don't even want the US to have less-powerful allies that are dependent upon us (think NATO) because if anyone else benefits, then that shows weakness in us. Hence: tariffs. This is a worldview in which anyone else getting anything means that we are being taken advantage of.

The one exception to this is having people grovel. These guys, especially Trump, love when people grovel because it feeds their egos. The only acceptable kind of relationships to have are with enemies and bootlickers. Period.

They have a horror of responsibility, and these two relationships are the only two that don’t require them to be responsible to or for anyone else.

This is all deeply related to gender, since strength = masculinity, so masculinity = standing alone. Any kind of cooperation or symbiotic relationship or even just mutual exchange is female-coded and so both weak and contemptible.

Anyway, I've been thinking about all that, and then I've been reading this book, and I came to a chapter where Warner talks about educational technology and how the past century or so has been the story of one person after another trying to invent a "teaching machine" to solve the "problem" of education. Warner asks, reasonably: "What is this problem they are trying to solve?"


"...the 'problem' the teaching machines are trying to solve is the inherent variability and messiness of learning. In order to circumvent these challenges, the students must be changed from a human into a product. Once students are a product, we can use our machines to shape them.

"The teaching machines keep failing because humanity gets in the way. For the teaching machine to succeed, we will have to decide that some aspects of our humanity are unimportant or inherently flawed, leaving us better off if we're governed by the outputs desired by the machines."

I read this, and it all came together. (Which would delight Warner because the book is about how reading and writing are ways of thinking and feeling and cannot be banished in favor of mere information-intake.)

The thing holding the tech bros and the MAGA politicians together, besides their lust for money and power, is hatred of human-ness.

These people share a profound, worldview-determining antisocial-ness that drives everything they do. They hate humans. They hate being human. They hate when other people are human.

They want to turn people into productivity machines or obedient automatons. They don't want people to be people.

They hate the messiness, the time it takes to do all the things that make us human. They hate the way it requires cooperation and inefficiencies like mistakes. They actually hate learning, wanting to replace it with a system that's similar to a computer downloading a new program. They hate art because they think it's a waste of time and its only purpose is as a little "treat" to incentivize us to work harder. They hate actual relationships because those require vulnerability, dependence, and sacrifice. Most of them actually seem to hate sex except as a way of asserting (violent) power over others. They view children not as human beings but extensions of themselves.

Underneath all this, I think there must be either a profound fear of and/or rage against vulnerability and aging, so it's no surprise that these people are also obsessed with living forever and "optimizing" their health. They are constantly fighting the human body and the human mind. Probably because they're scared of death.

Now, we're all scared of death. But most of us throughout human history have been wise enough to know that the solution to that is community. Make your mark on other people, leave a legacy, plant trees for your grandchildren to sit under. Leave people who will remember you fondly. Maybe even leave some art that will move generations to come. But that view of the world is being increasingly undermined by our culture's values and incentives.

Our culture has been on a trajectory towards this for a long time. When you view the world as a market, when productivity, efficiency, out-puts, and end-products are the only things that matter, you are going to end up hating human beings because we cannot be reduced to these things no matter how or corporate and political and technological overlords try.

If you look at it this way, fascism and the AI/crypto/NFT hype are both declarations of war against our humanity. I'm sure there's a literature about fascism as hatred of humanity, though I am not knowledgeable about it. But these AI people really seem to believe that a machine will be better than a human. And why shouldn't they think that? Humans require food and rest and songs and hobbies and mistakes and negotiations and cuddles and sex and art and time, and if you don't value any of those things, of course a machine that is purely focused on the most efficient output is an upgrade.

This realization makes Severance more relevant to me, since the central technology of that show is creating a way to outsource all the pain/monotony/discomforts of life so you can skip right to the "good stuff." This, of course, reveals that the creators do not understand that the messiness of life, all the friction and grit, are the point, and that we are not human without them. But if you don't want to be human, of course you'll figure out ways to jettison these things.


Understanding all of this makes me understand why I so viscerally hate the AI hype. I do think there are some limited ways in which AI could be very helpful, but the hype isn't that. The hype is, "You won't have to write! You won't have to do your own research! You won't have to take the time to learn an instrument! You don't have to be human! Think of all the time you'll save!" And that hype never once acknowledges that if you do save that time...there will be nothing worthwhile to use it on. What is the center of their view of a good life? Nothing. They don't think about it. There's no there there. It's productivity and efficiency for its own sake; it's capitalism taken to the ultimate extreme.

No wonder I hate it.



And now that I've written all that out, doing my thinking through the practice of writing, I see that I do think I'm right. Probably I am just slow and y'all have all realized all this long before I did. But it's a profound realization for me, and it leaves me more energized to fight against both fascism and technocracy. The most terrifying thing about our current moment is that the people who have the most power to shape our lives and the future of humanity are the people who hate humanity the most. They are the most immature, foolish, and thoughtless people imaginable. We can't let them win.

Life has been very busy! So I haven't read a lot! But I did manage to finish one book I'd been looking forward to for months!

What I finished: A Drop of Corruption, the second book in the Shadow of the Leviathan series by Robert Jackson Bennett. Y'all, I love this series! And if anything, I loved this second book more than the first! No sophomore slump here! (Although others disagree and don't like it as much! I'll be interested to see what consensus emerges, if one does!)

For those of you who haven't read the first book: this is a traditional mystery series, except that it's set in a fantasy world of incredible worldbuilding. Instead of technology in the sense we know it, this culture manipulates plants to create everything they need. So their buildings are built of plants and they use bioengineered plants to alter human beings, giving them almost supernatural skills--memory, strength, whatever.

There are also huge sea creatures (hi kaiju!) that come ashore and wreak unbelievable havoc; the empire that dominates the series exists essentially to protect people from these creatures. And the creatures have very potent blood that can have weird effects on living organisms. All of this is connected is surprising ways.

In this world we have Din, a young soldier who has been altered so that he has perfect recall. He gets assigned to be the assistant of a very, very eccentric old lady named Ana, who works as a kind of military detective, pursuing justice throughout the empire and also just being weird and off-putting. I adore her. More weird old ladies as heroes! The story is told from Din's POV--he's essentially the Watson to Ana's Holmes.

I won't go into details about this second book except to say these things: a) the plot is so much fun, b) the worldbuilding deepens significantly from the first book, c) we get some insights into Ana's mysterious past that had me vibrating with excitement and the need for book three, and d) RJB's afterword made me very fond of him as a person. I'm picking up what you're putting down, sir, and I salute you. I definitely need to seek out his other series.

What I'm going to read next: I haven't started it yet because I just finished ADoC last night, but next up is More Than Words: How to Think About Writing in the Age of AI by John Warner. I heard him interviewed on one podcast or another, and I need to read about writing from someone who actually values it.

Book summary:

A veteran writing teacher makes a "moving" (Rick Wormeli) argument that writing is a form of thinking and feeling and shows why it can't be replaced by AI

In the age of artificial intelligence, drafting an essay is as simple as typing a prompt and pressing enter. What does this mean for the art of writing? According to longtime writing teacher John Warner: not very much.

More Than Words argues that generative AI programs like ChatGPT not only can kill the student essay but should, since these assignments don't challenge students to do the real work of writing. To Warner, writing is thinking--discovering your ideas while trying to capture them on a page--and feeling--grappling with what it fundamentally means to be human.

The fact that we ask students to complete so many assignments that a machine could do is a sign that something has gone very wrong with writing instruction. More Than Words calls for us to use AI as an opportunity to reckon with how we work with words--and how all of us should rethink our relationship with writing.

So yeah! Relevant To My Interests, as we used to say.

Since Tumblr seems to be on its way to a slow and agonizing death and I will miss it terribly, I am reminding myself that many a website has gone the way of the dodo and we're all still here, having fun and making art and friends and shitposts.

My own personal Lirazel's Rule of the Internet is: anything you want to last will surely disappear, and everything you most want to disappear will stay findable forever.

Anyway, tell me about a site that has disappeared that you think is a real loss to the either the internet at large or yourself in particular!

Obviously, Livejournal pre-Russian-overlords belongs on this list, as do specific LJ communities that we lost in various strikethroughs (I am ridiculous, so I most sorely feel the loss of the original fandom_wank).

Two sites that I personally don't feel the need to revisit but am sad are no longer out there are Checkmated (a Ron/Hermione archive where you had to apply to get your fic accepted and mine was and I was SO proud) and All About Spike (a Spike from BtVS archive). I know the fic from the latter has been saved on AO3, but it's sad to me that the site itself isn't there! You lose a lot when you can't see the original design/layout/etc.

Now, many sites are available through the Wayback Machine, which is absolutely wonderful, but many people don't know about that, there are broken links for various things, and I'm not convinced that the Internet Archive will be able to continue forever.